Dear Sir, It's your birthday today. I am not going to get into how old you are, but I would rather dwell upon a facet to your on-screen image that people don't talk about. 'The Angry Young Man," is something that is synonymous with Amitabh Bachchan. Yes,in
Zanzeer, Deewaar, Don, Kaala Patthar, Muqaddar Ka Sikander, and so on, in the seventies, you personified the frustration of the youth and the anger associated with it.
But for me, your on-screen persona as a romantic hero is symbolic. Because, seeing your films and the romantic characters you have enacted, it's been inspiring. Let me start with Hrishikesh Mukherjee's
Bemisal (1982) where you sacrifice your emotions for your best friend. Remember the number
Ek roz main tadapkar where you try to seduce a woman who has ruined the life of your twin brother? You know you are not in love with her, but then family loyalty matters and you play tricks to take revenge. And the expression on your face filled with anger during the song is unparalleled. And that scene in the film when you are in jail (taking the blame for a crime committed by your best friend), where you appeal to Kavita (Raakhee) that once you are out of jail you want to hear a kid calling,
Maa, maa," and those words are etched in my heart. Who says you are just the Angry Young Man? Your critics must watch that scene to learn what it takes to live with pain.
In Mukherjee's
Abhimaan (1973), we find you in a romantic avatar. In the same director's
Mili (1975), you go out of your way to save the life of the woman you love. And the number A
aye tum yaad where you recall your past with a glass of beer cannot be replicated. And just your performance on screen is electrifying. And what about Yash Chopra's
Kabhi Kabhi (1976), when circumstances coerce you into marrying a girl you never loved? In Prakash Mehra's
Muqaddar Ka Sikandar (1978), you make your way to a brothel to find solace in a courtesan because the only woman you have ever loved loves somebody else----
Dil toh hai dil ka aitbaar sung by Lata Mangeshkar and picturised on Raakhee, Vinod Khanna and you, has you misinterpreting Kaamna's (Raakhee) feelings towards you. In Mehra's
Sharaabi (1984), how can we forget the song
Log kehete hain main sharabbi hoon when you express your frustration and the aftermath of leading a lonely life.
In Ramesh Behl's
Kasme Vaade (1978), perhaps the first movie I ever watched in a theatre, the song
Kasme vaade nibhayenge is one one of my most favourite numbers. In Yash Chopra's
Silsila (1981), you once again like
in Kabhi Kabhi, marry somebody you never felt inclined towards. You feel the pain, go back to your lover Chandni (Rekha) but eventually, you are back to your wife Shobha (Jaya Bachchan).
Neela aasman and
Dekha ek khwab composed by Shiv-Hari from the film still play in the heat of a die-hard romantic. There are too many examples, but to cut it short, the era of romance in Indian films cannot ignore you.
Time and again your angry image has over powered your romantic one, but songs like
Jidhaar dekhoon (
Mahaan),
Tum saath ho jab apne (
Kaalia),
Pardesia (
Mr. Natwarlal),
Teri meri dosti pyaar mein badal gayee (Dostana), Kab ke bichde (Laawaris) and many others still are a hit. And Sir,
Rim jhim gire saawan and
Tum ho mere dil ki dhadkan are my personal favourites.
Unfortunately, the lover in you in films has never got its due whereas stars like Raj Kapoor, Dilip Kumar, Dev Anand, Rajesh Khanna, Rajendra Kumar, Shah Rukh Khan, Aamir Khan and even Salman Khan personify ultimate love on screen. It's not your fault Sir, but you emerged at a time when the likes of Salim-Javed capitalised on your looks and the turning point of the Indian society when the anger in youth was a phenomenon.
Yet, it's to your credit, that you experimented as a lover even in Sanjay Leela Bhansali's
Black (2005), Ram Gopal Verma's
Nishabd (2007) and R Balki's
Cheeni Kum (2007) at a time when you were past your prime as the leading man. Let me tell you, even at this age, film-buffs throng the theatres to see your films. This is a fact that even your friend-turned-foe-turned-friend Shatrughan Sinha can't refute.
Being a commoner, I have no idea, how history will remember you. There could be too many tags, but for me, Amitabh Bachchan, the eternal lover in films has no replacement because as a die-hard romantic you have excelled. Sir, thank your directors, music composers and singers who have been pivots in building your romantic avatar.
Happy Birthday Big B and I will always cherish the inspirational acts of yours in romantic movies. Because you have made an impact on me.